Current & Upcoming Projects
Associate Professor at the Department of Art and Media Studies, Norwegian University of Science and Technology (NTNU)
Current research project: Building the Global Green – A Critical History of Green Architecture
Courses taught fall 2019: “KUH3003 The Politics of Art Historiography” (15 ECTS, MA students) and “KUH2207 Art in its Context: Contemporary Climates” (7,5 ECTS, BA/MA students) at the Department of Art and Media Studies, Norwegian University of Science and Technology (NTNU)
Recipient of the George R. Collins Fellowship 2019 from The Society of Architectural Historians
Oslo Architecture Triennale: Public lecture “Degrowth Tendencies of the Norwegian Deep Ecology Movement” at the seminar Degrowth Histories, 28 September 2019
Essay “Kunstfilosofi etter relasjoner” [Art Philosophy After Relations] published at Contemporary Art Stavanger, 21 June 2019
Exhibition essay “Unbroken Return” for The whole is less than the sum of its parts at She Will, 15 – 23 June 2019
Trondheim Form Lab: Website for speculative art history and criticism
Art essay: “Beholder: Or, the Unthought’s Negation: An Essay on Johanne Hestvold’s Sculptures” in the exhibition catalogue for Sun and Spring in January – Next Generation in Norwegian Contemporary Art at The Astrup Fearnley Museum, 25 January – 5 May 2019
Interview with Talent Norge (in Norwegian)
Invited lecture: “Delos Ouroboros: Cybernetics/Brain/Epistemology” The Delos Network: Delos Now, workshop 3, Loughborough University, UK, 4 May 2019
Past Projects
Conference paper: “The Universitas 1972: ‘Radical Left’ and ‘Right-Wing Technocrats.'” The Society of Architectural Historians (SAH) Annual Conference, Providence, USA, 24 – 27 April 2019
Review of the book and exhibition Charlotte Wankel og L’Esprit Nouveau published at Kunstkritikk, 8 April 2019
Critic in residence at the Astrup Fearnley Museum of Modern Art in connection to the exhibition project “Platform for Young Norwegian Art and Criticism”, 2018-2019
Research Fellow in the research project “Back to the Sustainable Future: Visions of Sustainability in the History of Design”
PhD Completion Grant, 12 months, Department of Philosophy, Classics, History of Art and Ideas, University of Oslo, 2018 – 2019
Co-organizer of the conference “Martin Heidegger and the Black Notebooks” at Kunstplass Contemporary Art [Oslo], 9 March 2019
Invited keynote roundtable discussion at the Norwegian Critics’ Association’s annual meeting, 9 March 2019
Public lecture “Om Johanne Hestvolds Beholdere og nyere kunstfilosofi” at the Astrup Fearnley Museum, 14 March 2019
Review of the exhibition series Game of Life at Kristiansand Kunsthall, published at Kunstkritikk, 7 February 2019
Book chapter: “Origo: Quantum Field Theory, Deep Ecology, Touch” in the book A Square on a Sphere: Marte Johnslien (Oslo: Uten tittel, 2018.) Related to the exhibition “A SQUARE ON A SPHERE – Marte Johnslien” at Lillehammer kunstmuseum, October 2018 – February 2019
Invited lecture: “Are We Plastic? On Speculative Design and Gaetano Pesce’s plastic bunker from the year 3072” at The Faculty of Fine Art, Music and Design, University of Bergen, 3 December 2018
Courses taught fall 2018: KUN2500/4500: Art and Criticism in the Anthropocene at the University of Oslo (10 ECTS, BA/MA students)
Convener of Lurid Space: Ecology Beyond Organisms, PhD course at University of Oslo, 1 – 2 November 2018
Book chapter “(V)endepunkt: Plastikk og plastisitet i 1972/3072” in Kollaps: På randen av fremtiden (Oslo: Dreyer forlag, 2018)
Interview in Morgenbladet, 6 July 2018
Public PhD defense, 19 June 2018
Conference paper: “Why We Must Destroy the Environment” at European Architectural History Network (EAHN), 13 – 16 June 2018
Courses taught spring 2018: KUN2201/4201 – Design Culture: Ten Things at the University of Oslo (10 ECTS, BA/MA students)
Conference paper: “‘Nothing better than a touch of ecology and catastrophe.’ On Jean Baudrillard’s attempt to destroy the environment, 1970.” Association for Art History, 2018 Annual Conference, Courtauld Institute of Art & King’s College London, 5 – 7 April 2018
Invited guest lecture: “(v)endepunkt: kunst og tenkning etter postmodernismen” [Art and Thinking after Postmodernism], as a part of the exhibition program for REPEAT FORWARD at Galleri F 15, 25 February 2018
Visiting scholar at Columbia Graduate School of Architecture, Planning and Preservation, Columbia University, New York City, USA, 2016-2017
Invited guest lecture: “Hva er kunsthistorisk forskning? Om nyere tendenser i kunsthistoriefaget” at the seminar Den forskningsbaserte utstillingen, Norges museumsforbund, seksjon for kunst- og kunstindustrimuseer, 16 October 2017
Art essay “Museum Without Walls” published at Kunstkritikk, about the world premiere of A-form, a work by composers/artists Ryuichi Sakamoto, Fujiko Nakaya, Min Tanaka and Shiro Takatani
Invited guest lecture: “Plastic: Physical and Metaphysical Destructiveness” at the seminar Plast og kunst – Fra utopi til undergangsvisjon, The Norwegian Art Yearbook, 06 September 2017
Conference paper: “Air Conditions: A Discussion on Architectural Aerodynamics,” presented at Making and Unmaking the Environment – Design History Society Annual Conference 2017, University of Oslo, Norway, 7 – 9 September 2017
Interview with Design History Society in connection to the Essay Prize 2016
Co-convener of the Design History Society Annual Conference 2017 Making and Unmaking the Environment
Essay on Peter Sloterdijk’s Spheres trilogy (in Norwegian) published at Kunstkritikk
Design History Society Essay Prize 2016 Winner for the article “Designs on our Ultimate Environment: Gruppo 9999, Superstudio and the New Ontological Landscape”
Journal article published in Kunst og kultur: «Hvor er nødutgangen? Spekulativ kunsthistorie i Antropocen» [Where’s the Exit? Speculative Art History in the Anthropocene]
Curator and Art Consultant at International Corporate Art, 2013-2014
Journal article published in Kunst og kultur “Systematikk og kulturhistorie: Jens Thiis, Hans Dedekam og debatten om en utstillingsreform” [Systematics and Cultural History: Jens Thiis, Hans Dedekam and the Debate about an Exhibition Reform”
